Months after the cars have scattered back across the continent and the spring crowds have drifted out of the Grand Palais, one souvenir of this year's Tour Auto lingers, rather improbably, within reach. Baltic, a rising star of contemporary French watchmaking and the race's official timekeeper for four years running, made only 300 of its new Rally Timer, a flyback stopwatch and a matching dashclock that fix to a dashboard or, the racing done, settle just as contentedly onto a desk. As of this writing the set still sits on the brand's own store at €825 (about $965). It is a small holdout in a world that long ago traded its mechanical dash instruments for digital tripmasters, and where scarcely anyone bothers to make the old kind at all.

Photo: Mathieu-Bonnevie

Photo: Mathieu-Bonnevie

If anything, the timing favors it. The season of historic motoring is only now unspooling into summer, and Peter Auto, the house behind the Tour, has made its Le Mans Classic an annual affair from 2026 onward, which promises more start lines, more wood-and-chrome dashboards, and more occasions for precisely the sort of instrument Baltic has built. The Rally Timer, then, arrives with much of its season still ahead of it.
It began, as so much does in Paris, with something electric in the air. In the first weeks of spring the Tour Auto had settled for two days into the Grand Palais, that vast stone and glass cathedral lately restored to its 1900 Exposition glory, an apt vitrine for this year's eclectic assembly of more than 230 classic cars, before the cavalcade swept down the Place de la Concorde and up the Champs-Élysées and out, at last, onto the rougher roads of provincial France.
Baltic has stood as the Tour's official timekeeper for four consecutive years now, releasing with each edition a limited piece that nods, in its discreet way, to the storied lineage of a race the Automobile Club de France first ran in 1899 as the Tour de France Automobile. The oldest motor racing event still in operation, it reached a fiftieth and final edition in 1986 before Peter Auto revived it in 1992; this year's was the thirty-fifth. Peter Auto, which also presides over Le Mans Classic, Imola Classic and Spa-Classic, keeps company with a roll call of marques that runs from Ferrari and Porsche to Jaguar, Maserati and Matra, and with drivers from Stirling Moss and Phil Hill to Maurice Trintignant and Henri Pescarolo.
The man behind the watches, Etienne Malec, has long been more than a spectator to all this. He started Baltic on Kickstarter in 2017 with two models, the HMS and the Bicompax, both drawn from the step-case watches of the 1940s, and conjured the whole enterprise from the collection he inherited from his father, a collector who set down in a journal every timepiece that ever crossed his wrist. The brand has sold straight to its customers ever since, staking its name on well-made, vintage-minded watches kept within reach of ordinary wallets. Malec has driven the Tour himself, alongside his partners; in 2024 and 2025 he took to its roads in a 1963 Lotus Elan 26R.

Photo: Cécile Christmann


Photo: Cécile Christmann

This year Baltic took a racier turn still, building not a wristwatch but a pair of driver's instruments, a stopwatch and a dashclock, and unveiling them on May 4 at the Tour's opening stop in Paris. The cars gathered beneath the glass ran the gamut of the century, from a 1935 Bugatti T55 to a Lancia 037 Evo, and their crews pored over them before slipping out of the city the next morning from the Château de Courances, bound for Biarritz by way of the Magny-Cours, Albi, Pau-Arnos and Nogaro circuits. At the line, four of them already wore the fitted pair of dials, each set arriving with a slim steel plate to bolt to the dashboard, or to stand upon a desk when the car is at rest.
A rally timer rooted in history was also Baltic's way of stepping around the predictable, cyclical churn of watch-and-car collaborations, and of carrying forward a format it had first essayed in 2024, when a Baltic-liveried BMW M1 Procar, driven by the rally legend Ari Vatanen, ran in company with the field; its blues and reds return, rearranged, on this year's pieces. The choice of instrument suits the way the Tour is reckoned, for the field divides into a Competition class timed for outright speed and a Regularity class scored on holding a set pace, where only a car's original dashboard equipment may measure the distance, and the stopwatch, as the organizer puts it, acts as the arbitrator.
For all the romance, these were working instruments, and handsome ones. The design holds its own in the slender field of car timers, as refined as one might wish a wristwatch to be and yet plainly legible at a glance. The light blue, answered to the colors of the old Tour de France Automobile and set the indications cleanly against the stainless steel, while the deeper blue accents and their touches of red lent the 60mm cases both structure and a certain play. The last homage waited at the back: the route of this year's race engraved upon the stopwatch, and the Tour Auto 2026 emblem, with the edition number, upon the dashclock. Follow the chiseled line down the flank of each case and one can almost picture the procession to come, the cars and the landscapes and the faces these dials will keep time for, all pleasure and precision over a handful of unrepeatable days.

